Cantata [Festa teatrale] for Soloists, Chorus and Orchestra, WeV B.12
Publisher: Schott Music
Edition: score and critical commentary - complete edition
Series: Serie II: Kantaten, Huldigungsmusiken und andere Gelegenheitswerke - Band 3
Series: Carl Maria von Weber - Complete Works
180 Pages - Full-cloth binding
Order number: WGA 1023
including VAT and plus delivery
Carl Maria von Weber‘s fame rests mainly on ‚Der Freischütz‘. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ‚Preciosa‘, ‚Oberon‘, and ‚Euryanthe‘, the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber‘s influential and
substantial oeuvre was wasted in the 1920s, when a complete edition – begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss – failed after the third volume.
Ever since there have been numerous attempts to restart a complete edition of Weber‘s works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber’s work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.
Since the German re-unification both working-parties concerned – at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn – have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6–8 vols.) are edited in Berlin and the letters (8–10 vols.) and other writings (2 vols.) in Detmold.
This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber‘s music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.
The present volume
Abbreviations and library sigla
Cast and Instrumentation
A. Text of the Work
L'Accoglienza (WeV B. 12)
Nr. 1 Inno (l'Agricoltura, la Scienza, l'Arte, il Commercio) "Benigno eccelso fato"
Nr. 2 Recitativo (l'Arte, la Scienza, l'Arte, il Commercio, l'Agricoltura) "Qual pace! qual delizia!
Nr. 3 Quartetto (l'Agricoltura, la Scienza, l'Arte, il Commercio) "Sente l'alma un che divino
Nr. 4 Recitativo (Genio) "Il cielo alfin ai tanti prieghi arrise!"
Nr. 5 Aria (Genio) "La Donna grata ai Numi"
Scena III: Nr. 6: Coro (Popolo, il Decano) "Di Mirti e d'ulivo"
No. 7 Coro (Popolo) "Conservate o giusti Dei"
Appendix Coro No. 7, vocal parts with alternative text "Ström o Himmel deinen Segen"
B. Critical Notes
I. Origins and transmission of the Work
Origins of the work
The performacnes and their reception
The transmission of the work
The planned publication
II. Summary of sources, description and evaluation
Summary of sources
Description of sources
Evaluation of sources on which the present edition is based
III. Editorial Report
The Musical Text
The autograph score
Performing of appggiaturas
The Vocal Text
Variants, alternative regardings and notes
Review of the first performance, from Allgemeine musikalische Zeitung
Text for first performance (Facsimiles)
Index and notes on the illustration I-IX
Facsimiles, plates I-IX
Index of names and works
Index of sources
LS 5407-1 = performance material
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