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| Tutti / La condition humaine / Frédéric / Mitschnitt / Anschlags-Kultur / Viertel = 100 |
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composer: Jörg Mainka
interpreter: Almuth Hett - Rainer R. Lorenz - Nils C. Tannert - László Hudacsek - Andreas Schuler - Markus Tillier - Michel Ackermann - Roberto Baiocco - Mathias Becker - Matthias Dahms - Ruth Eberhard - Bernd Hammrich - Christian Rieger
booklet writer: Rainer R. Lorenz - Markus Hechtle - Hans-Peter Jahn
conductor: Kunihiro Ochi - Kasper de Roo - Sylvain Cambreling - Peter Eötvös
orchestra/ensemble: SWR Sinfonieorchester Baden-Baden und Freiburg - Trompetenklasse Reinhold Friedrich - Ein Kammerensemble - Ensemble fuer Neue Musik der Musikhochschule Karlsruhe - Ensemble Modern
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| Roberto Baiocco: flute / Ruth Eberhard: voice / Matthias Dahms: percussion / Michel Ackermann: toy trumpet / Rainer R. Lorenz: piano, tone control / SWR-Sinfonieorchester Baden-Baden und Freiburg / Trompetenklasse Reinhold Friedrich / Sylvain Cambreling: conductor / Ensemble Modern / Kasper de Roo: conductor / Ensemble für Neue Musik der Musikhochschule Karlsruhe / Peter Eötvös: conductor / Ein Kammerensemble / Kunihiro Ochi: conductor / Almuth Hett: violoncello / Markus Tillier: violoncello / Andreas Schuler: violoncello / Bernd Hammrich: violoncello / László Hudacsek: percussion / Nils Tannert: percussion / Christian Rieger: speaker, performer / Mathias Becker: percussion |
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Jörg Mainka is a composer who made room for his dreams.
In Mainka's case, his theoretical work cannot be separated from his composing: the one is unthinkable without the other. His efforts at conceptualization are aimed exclusively at recognizing and examining connections, where "examining" means a constant effort to relate each laboriously discovered concept to an idea. For Mainka, examination is a lively discourse conducted from different directions and unexpected angles; and theory, rather than distorting the act of composition, still less functioning as its opposite, serves as a point of departure and a destination.
It is a fortunate state of affairs – and not only for his students, because Mainka's compositions express his enduring delight in playfulness.
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Viertel = 100 für Flöte, Stimme, Schlagzeug, Karnevalströte, Drum-Computer und Tonband
Tutti. Komposition für Orchester mit 11 Trompeten
"La condition humaine", aus dem Blickwinkel eines rotierenden Tonkopfes für Ensemble und digitales Tonband
Frédéric. "Nacherzählung" für vier Woodblocks, Klavier und Ensemble
Mitschnitt für vier Violoncelli, zwei Schlagzeuger und Tonbandschleife
Anschlags-Kultur. Musikalisches Szenario für einen Darsteller, Klavier und Kleine Trommel
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